I got out all my slipper-making materials again...
I still have acres of this brown velvet, and even though it's maddening
to work with -- the nap makes the contrasting fabric catch and shift
like crazy, even after I've pinned it -- the end result is so nice that
I'll put up with the hassle:
I went back and forth on the yellow buttons... it was either those or a pair of more subdued pearly grays. I chose COLOR, can you believe it? And you know how much I love gray.
Now I'm going to make it really easy for you to buy them: Click a button! Wheeeee!
(They're $30, with $5 for shipping & handling)
All the slippers I make are mostly recycled materials, thrifted and repurposed curtains, skirts, jackets, and suede pants. (Trust me, no one was EVER going to wear those pants again. They were hideous.) The flannel lining is store-bought, as is the thread and the cushion insole between the lining and the leather sole. This pair is a size 6, or 23.5 cm. I've got materials leftover, though, so give a holler if you want them in a different size!
I'll be posting other new pairs soon... so watch out for more awesome fabric combinations and candy-colored buttons. I know, I know: COLOR. I'm amazed, too.
*
ps. the genius behind this design is Cheri at Shoeology on Etsy... you can buy the pattern there.
Tuesday, November 29, 2011
Tuesday, November 15, 2011
at attempt an an objective report
It's the Season of Hard. It's the Season of Whining. It's the Season of Kneecapping. I know I'm prone to exaggeration with an embellishment of martyrdom, so I'm going to try to say it plain:
I wake up at 5am, hear Isla talking to herself in her crib, go back to sleep. Auden comes to our bed for the second time (first time at 2:30am), but we don't go back to sleep, because soon Isla is yelling and throwing things. I get her and take her into bed, too, all four of us sandwiched on the full-sized mattress. I nurse her while Jason sets up a movie for Auden in the living room. After 20 minutes I pry Isla off me and tell her to go watch the movie with Auden. She doesn't like his movie. It's 5:45, Jason gets up and starts the coffee. I put a pillow over my head and try to go back to sleep.
Auden wakes me up at 6:08. Isla spots me from the kitchen, is ecstatic to see me again, and commences hanging on my legs. For the next 30 minutes I try to go to the bathroom and eat breakfast, cannot do either one without interruption. I try several ways to occupy Isla with toys, and then to mediate disputes about unfairly pilfered toys. Someone invariably wipes their snotty face on my pant-leg. I reheat my coffee. The house is already a mess of discarded toys by 6:30am.
Jason is miraculously already dressed, gets the kids dressed, and is suited up to head off to work. There is a brief display of camaraderie between Auden & Isla as they pretend to go back to sleep in Auden's bed. But then he hits her and squashes her, and she's bawling and I'm trying to go to the bathroom and Jason's trying to get out the door.
Auden doesn't want to go to school, cries and carries on and tries to negotiate our departure time. Spends his "10 more minutes" negotiating for more time. I get dressed. Isla wants more milk. I have the brilliant idea of making a smoothie instead, figuring this will give us all a project to focus on and get some calories into them both. For a few minutes they are content to eat frozen berries while I blend. I pour smoothie into cups with straws, and an unblended blueberry gets stuck in Auden's straw, so he tips the cup up and spills purple glop all over his clothes. Is devastated that he can no longer wear his dinosaur hoodie, and wails on the floor. Isla pulls the legs off a fridge magnet monster that Auden made at school, which adds another layer of injustice and fuels his tantrum.
I completely lose my cool and yell at Auden to STOP IT RIGHT NOW! STOP CRYING! I'VE HAD ENOUGH! THERE'S NOTHING TO CRY ABOUT!
"You're too loud!" he tells me.
"WELL SO ARE YOU!" I respond maturely, sensibly.
We simmer down, he wants me to apologize. I do, and try to explain why I get so frustrated when he whines.
"It's hard for me to keep being patient with you when it seems like you get so upset about every little thing," I say, maturely and sensibly.
"But... but," he says, "I can't find my sword!"
And I realize that I AM THE CRAZY ONE HERE. For trying to reason with someone who is constitutionally unreasonable. Meanwhile, the smoothie sits on the table, mostly unfinished.
I start to hustle us toward the door, but Auden still doesn't want to leave, resumes previously forgotten negotiations. Pokes Isla with his sword, hits her with his helmet. Doesn't want to sit next to Isla while we get our shoes on. Doesn't want to wear a jacket.
I realize on the way downstairs that Jason has my bike key, so we can't take the bike trailer, which I'd told Auden we would. I briefly attempt to alter reality by willing my bike lock to come off.
Auden cries about not being able to take the bike trailer. "Well, we can't do anything about it now." I say, foolishly trying to reintroduce reason.
I get Isla buckled into her seat, but Auden won't get into the car. I put my head down on the door and count to ten, imagining the ways I'd like to physically force him in. Instead I get into the driver's seat and start the car. Auden thinks I'm going to leave without him, which I suppose was my intention, starts crying again, and clambers into his seat. I feel guilty about using fear to manipulate my child. Is that worse than grabbing his arms? Is it worse than hissing commands? I am not capable of anything nice.
As I buckle him, he is crying that he wants to lock the door. "No," I say, mainly because I don't really hear his request and don't understand it. This prompts a fresh outburst. I get into the driver's seat, try to breathe deeply again. I reach back and push the window button, then show him where the lock button is, this seems to appease him and he's finally amenable and chatting happily as we drive to day-care. I look and feel like I've been through the ringer.
Now it's 9:30, and I think I'll go back to bed.
*
I wake up at 5am, hear Isla talking to herself in her crib, go back to sleep. Auden comes to our bed for the second time (first time at 2:30am), but we don't go back to sleep, because soon Isla is yelling and throwing things. I get her and take her into bed, too, all four of us sandwiched on the full-sized mattress. I nurse her while Jason sets up a movie for Auden in the living room. After 20 minutes I pry Isla off me and tell her to go watch the movie with Auden. She doesn't like his movie. It's 5:45, Jason gets up and starts the coffee. I put a pillow over my head and try to go back to sleep.
Auden wakes me up at 6:08. Isla spots me from the kitchen, is ecstatic to see me again, and commences hanging on my legs. For the next 30 minutes I try to go to the bathroom and eat breakfast, cannot do either one without interruption. I try several ways to occupy Isla with toys, and then to mediate disputes about unfairly pilfered toys. Someone invariably wipes their snotty face on my pant-leg. I reheat my coffee. The house is already a mess of discarded toys by 6:30am.
Jason is miraculously already dressed, gets the kids dressed, and is suited up to head off to work. There is a brief display of camaraderie between Auden & Isla as they pretend to go back to sleep in Auden's bed. But then he hits her and squashes her, and she's bawling and I'm trying to go to the bathroom and Jason's trying to get out the door.
Auden doesn't want to go to school, cries and carries on and tries to negotiate our departure time. Spends his "10 more minutes" negotiating for more time. I get dressed. Isla wants more milk. I have the brilliant idea of making a smoothie instead, figuring this will give us all a project to focus on and get some calories into them both. For a few minutes they are content to eat frozen berries while I blend. I pour smoothie into cups with straws, and an unblended blueberry gets stuck in Auden's straw, so he tips the cup up and spills purple glop all over his clothes. Is devastated that he can no longer wear his dinosaur hoodie, and wails on the floor. Isla pulls the legs off a fridge magnet monster that Auden made at school, which adds another layer of injustice and fuels his tantrum.
I completely lose my cool and yell at Auden to STOP IT RIGHT NOW! STOP CRYING! I'VE HAD ENOUGH! THERE'S NOTHING TO CRY ABOUT!
"You're too loud!" he tells me.
"WELL SO ARE YOU!" I respond maturely, sensibly.
We simmer down, he wants me to apologize. I do, and try to explain why I get so frustrated when he whines.
"It's hard for me to keep being patient with you when it seems like you get so upset about every little thing," I say, maturely and sensibly.
"But... but," he says, "I can't find my sword!"
And I realize that I AM THE CRAZY ONE HERE. For trying to reason with someone who is constitutionally unreasonable. Meanwhile, the smoothie sits on the table, mostly unfinished.
I start to hustle us toward the door, but Auden still doesn't want to leave, resumes previously forgotten negotiations. Pokes Isla with his sword, hits her with his helmet. Doesn't want to sit next to Isla while we get our shoes on. Doesn't want to wear a jacket.
I realize on the way downstairs that Jason has my bike key, so we can't take the bike trailer, which I'd told Auden we would. I briefly attempt to alter reality by willing my bike lock to come off.
Auden cries about not being able to take the bike trailer. "Well, we can't do anything about it now." I say, foolishly trying to reintroduce reason.
I get Isla buckled into her seat, but Auden won't get into the car. I put my head down on the door and count to ten, imagining the ways I'd like to physically force him in. Instead I get into the driver's seat and start the car. Auden thinks I'm going to leave without him, which I suppose was my intention, starts crying again, and clambers into his seat. I feel guilty about using fear to manipulate my child. Is that worse than grabbing his arms? Is it worse than hissing commands? I am not capable of anything nice.
As I buckle him, he is crying that he wants to lock the door. "No," I say, mainly because I don't really hear his request and don't understand it. This prompts a fresh outburst. I get into the driver's seat, try to breathe deeply again. I reach back and push the window button, then show him where the lock button is, this seems to appease him and he's finally amenable and chatting happily as we drive to day-care. I look and feel like I've been through the ringer.
Now it's 9:30, and I think I'll go back to bed.
*
Monday, November 14, 2011
Monday, November 7, 2011
Monday, October 31, 2011
Thursday, October 27, 2011
sketches
So, because I'm in this limbo-before-the-breakthrough, I've decided to return to my roots. My drawing roots, that is.
I love my babies' bodies, and since they were born I've been wishing I would take the time to draw them more. But they don't sit still, and I'm cross-eyed, and I'm out of practice, and etc, etc. I have lots of excuses to stay stuck.
I have tried to draw them a few times, and I end up with a scritchy abstract jumble of lines because, seriously, they just keep moving. So I decided to cheat. I took some pictures of them in the bath, when they are most gorgeous, and did some sketches from those.
I have a great idea for a painting I'm going to do based on these sketches. You know, after the breatkthrough.
*
I love my babies' bodies, and since they were born I've been wishing I would take the time to draw them more. But they don't sit still, and I'm cross-eyed, and I'm out of practice, and etc, etc. I have lots of excuses to stay stuck.
I have tried to draw them a few times, and I end up with a scritchy abstract jumble of lines because, seriously, they just keep moving. So I decided to cheat. I took some pictures of them in the bath, when they are most gorgeous, and did some sketches from those.
I have a great idea for a painting I'm going to do based on these sketches. You know, after the breatkthrough.
*
Tuesday, October 25, 2011
there might not be a design, in certain cases
Body in knots, head in a muddle. I keep thinking I can get to the bottom of the thoughts -- if I just keep pulling them out one by one, I'll come to the end, or The Answer. It's faulty, to say the least. It's a trap.
I did a little of a lot of things today, nothing felt very satisfying. And of course I blow it up to be so huge that the daubs and swishes of paint that I put down today were NOT GOOD and VERY UGLY and WHAT DOES IT MEAN ABOUT ME AND MY FUTURE. So easy to get stuck there... then I go to the thinking, determined to think every last thought; to think an answer, to think relief.
I know I am ornery and tight and caught up on these same familiar snags. I wanted to do something NOT MYSELF -- how did I end up doing this utterly and completely MYSELF mark on the canvas? And I don't know how to make a different mark, so I'm stuck with this daub-daub, wipe-wipe approach that is maddening, and my colors are all wrong, and on and on.
I went to mess up the two encaustic collages I made years ago when Auden was a baby, because it had worked so well with the "There Is a Design" piece, and that felt so good.
Now I've covered up too much with paint. Patchy calico paint that's at once too dark and too chalky and makes no sense and there's no sense of freedom in the brushstrokes, just that same dense willfulness, contrived and badly executed.
Struggling with each layer.
Struggling with painting in general. I feel as though I'm on the verge of breaking through something SOMETHING and this period before the breakthrough is agonizing. Full of doubt and distress, so uncomfortable to hesitate making any mark, to be dissatisfied with every mark. I mix the same colors in the same proportions and wonder why I get the same mud every time
.
Reworking these hand pieces, I'm baffled. What do I do next? Which color and where? I'm fighting with the surface, the composition. Trying to stay available to answers that are still unseen. Unseeable. So hard to comprehend that there could be any kind of resolution. How can I call myself a painter when I hate painting and don't know how to do it? So go the voices in my head.
Can I allow that each piece is important, even if it's never right or beautiful or finished?
I read a quote by Albert Einstein: "It's not that I'm so smart, it's that I stay with a problem longer."
So I'm trying to stay with the problem.
*
I did a little of a lot of things today, nothing felt very satisfying. And of course I blow it up to be so huge that the daubs and swishes of paint that I put down today were NOT GOOD and VERY UGLY and WHAT DOES IT MEAN ABOUT ME AND MY FUTURE. So easy to get stuck there... then I go to the thinking, determined to think every last thought; to think an answer, to think relief.
I know I am ornery and tight and caught up on these same familiar snags. I wanted to do something NOT MYSELF -- how did I end up doing this utterly and completely MYSELF mark on the canvas? And I don't know how to make a different mark, so I'm stuck with this daub-daub, wipe-wipe approach that is maddening, and my colors are all wrong, and on and on.
I went to mess up the two encaustic collages I made years ago when Auden was a baby, because it had worked so well with the "There Is a Design" piece, and that felt so good.
Now I've covered up too much with paint. Patchy calico paint that's at once too dark and too chalky and makes no sense and there's no sense of freedom in the brushstrokes, just that same dense willfulness, contrived and badly executed.
Struggling with each layer.
Struggling with painting in general. I feel as though I'm on the verge of breaking through something SOMETHING and this period before the breakthrough is agonizing. Full of doubt and distress, so uncomfortable to hesitate making any mark, to be dissatisfied with every mark. I mix the same colors in the same proportions and wonder why I get the same mud every time
.
Reworking these hand pieces, I'm baffled. What do I do next? Which color and where? I'm fighting with the surface, the composition. Trying to stay available to answers that are still unseen. Unseeable. So hard to comprehend that there could be any kind of resolution. How can I call myself a painter when I hate painting and don't know how to do it? So go the voices in my head.
Can I allow that each piece is important, even if it's never right or beautiful or finished?
I read a quote by Albert Einstein: "It's not that I'm so smart, it's that I stay with a problem longer."
So I'm trying to stay with the problem.
*
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